AustLit

An Australian-New Zealand co-production.

'When 14-year-old New Zealander Holly McKenzie arrives in the Australian seaside town of Woolich, her dreams of playing basketball with the RAMS, one of the best junior basketball teams in the district, are quickly shattered. Determined to prove her ability, Holly forms her own team—the OUTLAWS. With basketball as a backdrop, Holly's Heroes is a funny and light hearted exploration of being the new kid on the block, the importance of friendship, the value of teamwork, first love, and the rewards that come from participation and the simple love of sport. Holly learns that the feeling of belonging she achieves with her team is far more important than simply winning.'

Source: Publisher's blurb.

Eugénie Sandler, tracing the mysteries of her own past (such as her missing birth certificate and her unwitting possession of a false passport), finds that she is the lost heir to the decaying kingdom of Versovia, currently a Soviet-style dictatorship. She and her school friend Warwick find themselves dodging mysterious Versovians and murderous, corrupt police officers, while trying to find Eugénie's missing private-investigator father, Ray.

The program harks back to the genre of Ruritanian romances: swashbuckling adventure stories set in fictional Central or Eastern European countries (such as Anthony Hope's Ruritania), centering on the aristocracy or royalty, and usually culminating in the restoration of a lost heir. Although the popularity of pure Ruritanian romances declined after the nineteenth century, aspects of their form were transplanted into speculative fiction, particularly the sub-genres of alternate histories and fantasies of manners. In this instance, script-writer David McRobbie transplants the Ruritanian romance to late-twentieth-century Australia, and further filters it through the contemporary concern of the dissolution of the Soviet Union.

For McRobbie, Eugénie Sandler, PI followed his first children's television program, The Wayne Manifesto (1996-1997) and was followed in turn by Fergus McPhail (2004).

Australian Screen offers some content from episode two of Eugénie Sandler, PI online: http://aso.gov.au/titles/tv/eugenie-sandler-pi-episode-two/clip1/?nojs=. (Sighted: 17/2/2012)

'Inspired by true events, Stingers reveals the shadowy and ambiguous world of undercover cops — people with covert lives and constantly changing identities. They are police who defeat crime from within the criminal world — always without a badge and frequently without protection. The series follows the lives of the operatives as they befriend and betray those on the other side of the law. For these select few, it is a deadly way of life.The undercover cops of Stingers are a unique breed. They must juggle their own lives — love, laughter, family and humanity — with the tension of the criminal personas they adopt in their passion for justice.'

Source: Australian Television Information Archive. (Sighted: 7/6/2013)

One of Australia's highest rating dramas, All Saints is a Logie Award-winning Australian medical drama set in the fictional All Saints Western General Hospital in suburban Sydney. The stories originally focused on the nursing staff of Ward 17 run by Nursing Unit Manager Terri Sullivan. It was sometimes referred to as the 'garbage ward' because it took the overflow of patients.

In 2004 Network Seven producers overhauled the series in an effort to increase the show's gradually dwindling audience. They achieved this by closing down Ward 17 and transferring some of the staff to the Emergency Department managed by Frank Campion. Several other new lead characters were also introduced. The changes also saw the storylines begin to focus more on the lives of the doctors and nurses.

Another significant change to the series came in early 2009 when the producers introduced the Medical Response Unit. Central to this development was the helicopter which took doctors to rescue situations outside the hopsital and which in turn brought patients to the All Saints Emergency Department. The show's name was also changed at this time to All Saints: Medical Response Unit. The increased production costs created by having scenes shot on location played a part, however, in the series being cancelled mid-year. The series ended with the Emergency Department and Medical Response Unit teams having a dinner to farewell the last remaining original character, Von Ryan on her final day at All Saints.

All Saints was popular in many countries including the United Kingdom, Ireland, Belgium and Iran.

'Murder is the ultimate crime. It touches the lives of ordinary people, casting its long shadow over the glossy cityscape and glamorous haunts of the sprawling metropolis. For homicide detectives Steve Hayden and Tessa Vance, solving a murder is a journey from darkness into light. An urgent, vicious confrontation with evil, a walk through the devil's own world.

'Tessa and Steve are the elite new face of homicide. She is young and brilliant, he is logical. She is instinctive, he goes by the book. She's complicated, he's down to earth. Together this powerful partnership must confront and overcome the intrigue, fear and shattered lives which murder leaves in its wake.'

Source: McElroy All Media (http://www.mcelroyallmedia.com.au/index.php?page=murder-call). (Sighted: 19/4/2013)

The authors above are those credited as script-writers for the series. A number of other authors were also credited with 'story': Jennifer Rowe is the most frequently credited, but other authors credited with 'story' are Leanne Williams, Duncan Ball, Kel Richards, Jenny Pausacker, Kerry Greenwood, Richard Hall, Peter Gawler, John Banas, Jean Bedford, Karen Petersen, and Helen Robinson.

A one-hour soap opera focusing on life in a gritty inner-city suburb.